| It is common for most men to face dilemma
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| | Color combination between clothing would
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| in mens fashion coordination. Our typical
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| | require the understanding of hues and
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| questions are:
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| | tones. It is the similarity and
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| How to match colors for mens dress shirts
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| | contrasting criteria of hues and tones
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| and mens dress pants?
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| | that brings the harmony when combining
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| How to coordinate checks with stripes?
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| | these colors. We must learn how to use
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| What are the colors suitable between my
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| | the vivid colors against the dull and
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| suits and ties?
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| | light colors to accentuate different
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| Are the colors and patterns matching my
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| | parts of your men's clothing. It catches
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| suits and ties?
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| | attention and yet not steal the focus
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| These questions kept popping up because
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| | away from your face.
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| men generally has a poorer power of
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| | For mixing pattern, there is coordination
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| visualization than women. Men can not
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| | between pattern of same design and
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| imagine the way things look like based on
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| | patterns of different designs. The
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| the colors and patterns through
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| | ultimate challenge is mixing three or
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| imagination. So there is a strong
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| | four patterns together but not looking
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| reliance for pictures to provide guidance
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| | ridiculous at all. The fundamental art of
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| for men's dressing.
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| | working with patterns is the
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| Therefore, I will attempt to address
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| | understanding of scales and sizes of
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| these concerns and provide the
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| | patterns so that you can merge them
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| fundamental information necessary to
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| | together without creating tension or
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| achieve the best coordination. When we
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| | strong clashing vibration.
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| look at color coordination, there are two
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| | Overall, the aim of coordination for
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| aspects to focus on: Coordinating mens
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| | colors and patterns is to achieve
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| clothing against our complexion and
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| | naturalness as well as bringing out the
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| creating color harmony between different
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| | best blend that brightens up the man's
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| hues and shades.
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| | overall look.
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| For dealing with colors involving our
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| | In order to learn the art of achieving
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| complexion, we would not want to wear
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| | the best coordination, we would have to
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| colors that brings out the negative
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| | play around with our clothing to realize
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| aspect of our complexion. For example, if
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| | the concept. Thereafter, mixing and
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| you are very fair with light colored
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| | matching colors and patterns would just
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| hair, then you should not be wearing pale
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| | come as a natural flow in you. It is
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| colored shirts like yellow or white that
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| | through the consistent trial and error
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| will wash out your facial complexion
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| | that we build up our knowledge of what
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| further. Instead choose earthy colors to
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| | goes with what and how we can best
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| warm up the face with vibrancy.
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| | coordinate them.
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